Voice Over Math: Less Than 100% = Zero.
What Stops You From Going All The Way?
August 9, 2016
By Jim Conlan
Voice Talent, Coach & Producer
In a previous life, when I thought I was going to be a painter, I had a breakthrough one day that I wanted to share with my painting professor and mentor.
I proudly showed him the canvases and waited for the handshake. It didnít happen.
Instead, he said, "OK, I see what youíre trying to do here. But itís a long way from the richness and depth youíre capable of. You need to take it all the way Ė one hundred percent.Ē
If there is one moment in my work with voice over students, one forehead-smacking moment that makes the difference in their professional development, itís the realization that they arenít playing full-out.
As we develop our talents and skills, thereís a tendency to say, "Well, that sounded pretty good.Ē
But "pretty goodĒ is just a milestone, not a destination. The mark of a professional is the ability to recognize these milestones as steps toward one hundred percent.
WHAT STOPS YOU?
But often thereís a reluctance to go all the way, and I think I know why.
I think itís fear: fear of going too far, of sounding ridiculous, of going over the top.
Well, from what Iíve been hearing, a lot of voice talent is a long way from the top! So if fear seems to be holding my student back, I ask this question:
"How passionate are you about what youíre saying?ĒMuch of the time, failing to deliver fully is failing to connect fully to what you are saying. And connecting to what youíre saying depends on how you feel about what youíre saying.
This applies, by the way, to any type of voice over project, whether itís a bodice-ripper novel or a punch-press training video.
Whatís at stake? One hundred percent = a career. Less than one hundred percent = no career. You do the math.
Jim Conlan is a voice actor, coach, producer and audiobook narrator with a wide variety of fiction and non-fiction titles available on Audible and in bookstores. Some of his favorites include Moby-Dick, Island Life, by William Meikle, and To Timbuktu for a Haircut, by Rick Antonson.
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