Fight 'Mike Fright' - Pretend Your Mike's
A Person - And Stop Being Perfect!
August 7, 2018
By Paul Strikwerda
Voice Actor & Coach
While listening to one of my favorite podcasts, Radiolab, I discovered an interesting fact.
Before legendary producer Allen Funt created Candid Camera, he experimented with a different show based on the same premise. It was called The Candid Microphone, and it first aired on June 28, 1947 on ABC Radio.
Funt came up with the idea while producing radio shows for the armed forces at Camp Gruber. One of the shows he worked on was called The Gripe Booth. Funt asked soldiers to come into his studio and talk about things that bothered them.
Here's what he found out.
During the pre-interview, most of his guests were at ease and happy to talk. But as soon as the red light went on (indicating that the recording had started), the soldiers became extremely nervous and tongue-tied.
This phenomenon is called Mike Fright, and it doesn't make for good radio.
KILLED THE RED LIGHT
Luckily, Funt found a way around it.
He disconnected the red light, and started recording his guests secretly. He pretended to do a practice interview during which most soldiers were… themselves. And when it was time to do the real thing, he told them he already had what he needed.
It was a great gimmick to get spontaneous reactions.
Funt knew he was onto something, and when the war was over, he pitched the idea to ABC, and The Candid Microphone was born.
TOUGH TO BE 'NATURAL'
It might not surprise you to hear that Mike Fright is a very common condition.
Just as some people become very self-conscious as soon as they spot a camera, you'll find that folks who are normally very eloquent, will freeze up when you put a microphone in front of their mouth.
It's tough to be natural in an unnatural situation, even for professional communicators.
I've worked in radio since I was 17 years old, and in that time I have seen veteran-broadcasters hyperventilate, and wipe the sweat of their foreheads before they were about to go on air.
The live broadcasts were the worst, because there are no retakes when you go live. Even though I believe the public doesn't really mind that much when people mess up on air (who doesn't like bloopers?), I've seen colleagues who were utterly devastated after they misspoke.
WE WANT TO BE PERFECT
I've often wondered why they would beat themselves up over something that's entirely human, and here's what I came up with:
Many of us want to be perceived as being perfect in public.
That's why we select the best selfie, and use photo editing software before we post it on social media. We treat the world to the highlights of our life, and we don't expose our darker side. We love sharing our successes, and we carefully hide our failures.
I completely understand that, by the way. "The world" doesn't need to know everything about us.
We have to protect our privacy and our reputation. The way to do that is to control and manipulate the message.
AUDIENCES PREFER SPONTANEOUS
Cameras and microphones scare us because they create a situation we can't predict or control (unless we call the shots). They have the power to expose the private, and make it public.
That's part of the success of a show like Candid Camera. People who don't know they're being filmed are much more fun to watch.
Audiences all over the world prefer spontaneous over studied. We want raw emotions instead of rehearsed responses.
But there's something we conveniently forget: in the media, there is no "reality." At best (or at its worst - depending on your viewpoint), it is "enhanced reality."
Allen Funt found out pretty quickly that reality in and of itself was pretty boring. That's why he ended up putting normal people in abnormal situations to see how they would react. I'm sure it wasn't all comedy gold, and much of the footage ended up on the editing floor.
IN YOUR VO BOOTH
In a way, our recording booth is part of the "enhanced reality." It is an artificial setting that can be quite intimidating, especially to newcomers.
Some of my students have admitted that they too are sometimes suffering from Mike Fright, especially during live recordings.
Their perfectionism might be part of the problem. They want to do so well that they tense up, and become like the self-conscious soldiers in The Gripe Booth.
One of the techniques I use to relax my students is taken straight out of Allen Funt's book. As we prepare for the session, we go over the script a couple of times and have fun with it. Unadulterated fun.
'JUST TALKING TO ME'
What my students don't know, is that everything is being recorded. In their perception, there is no microphone, there is no right or wrong, and there's nothing to be afraid of. They're "just" talking to me, and there is no pressure to perform.
That's when the magic happens, because people start sounding like themselves. They're by no means perfect, but perfection is never the goal. Perfection is a perverse illusion, anyway.
ALWAYS TALKING TO A PERSON
Now, don't get me wrong. It's not that I don't want people to do their best. I just don't want them to overdo it.
One of the reasons why some people aren't winning auditions is because they sound over rehearsed. They focus too much on the microphone, and they forget to have fun.
I will often ask them to position the mike above their head, practically out of sight. That way, it doesn't distract. It's one of those small changes that can make a big difference.
SMILE! YOU'RE ON CANDID ...
Sometimes I go bit further.
I asked one of my students to print out a life-size picture of a human ear, and tape it to her microphone.
"Why should I do that?" she asked puzzled.
"To remind you that you're always talking to a person," I said. "Not to a mike. It might look a bit eerie, but you'll get used to it. I promise."
Soon after my request she said her Mike Fright was practically gone, and when I listened to one of her auditions, she sounded so much better!
To celebrate the achievement, I proposed to take a picture of her in the booth. "It has to be spontaneous," I said. "So, I'm not going to tell you when I'm taking it."
Even though she knew it was coming, my snapshot took her by surprise.
"Smile," I joked. "You're on Candid Camera!"
Paul Strikwerda is a 25-year veteran of the voice over industry whose Nethervoice service features German and Dutch voice overs, translation and evaluation services. Born in Holland, he has worked for Dutch national and international radio, the BBC and American Public Radio. Although 90% of his work is in English, Strikwerda also records in Dutch, German and French. Clients include Novartis, Johnson & Johnson, and the Discovery Channel. He is also a voice over coach, author of the book, Making MONEY In Your PJs: Freelancing for voice-overs and other solopreneurs, and writes an informative and entertaining blog.
Email: firstname.lastname@example.orgWeb: www.nethervoice.com
Making MONEY In Your PJs: http://makingmoneyinyourpjs.com
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