Text Analysis: To Determine The Voice Over
Script's Story, Create A Simple 'Log Line'
By Patrick Fraley
Voice Over Performer and Trainer
Note: This article is excerpted with permission from the author's newly revised Complete Book of Voice Over Exercises, available here.
Let me take you to preparing for an audition or performance. First, you move toward the skill of determining the story - coming up with a Log Line.
This step is critical. Not understanding the story - so you can't realize the story - is the number one error made by performers.
WHAT'S THE PROBLEM?
I'm a rabid proponent of text analysis. I could spend weeks teaching it. However, knowing how unsexy it is, I'm willing to get it down to the absolute minimum just so any and every performer will do it.
Here's what you do:
Read the copy, script, or text, reining yourself in from making any performance choices.
Then ask yourself the following question: What's The Problem?
Since Conflict or the Implied Conflict (the problem) is central to story, you'll be focusing on the most important aspect of text analysis: finding the story.
All the rest of your questions (Who are the characters? What's the scene?) are important, but less so than knowing the story. If you don't know the story, chances are you can't realize it.
CREATE THE LOG LINE
When you get the gist of a story, excerpt or commercial, make it into a Log Line.
A Log Line is a short passage or sentence that is comprised of the story in the briefest of terms. It always includes the conflict or implied conflict.
For example, Hamlet may be reduced to the Log Line, "Dane Goes Nuts Over Murdered Dad."
Again, note that the conflict or implied conflict is in the Log Line.
If you have trouble getting to the story or Log Line (and who doesn't), circle back and articulate the conflict or implied conflict. Like breadcrumbs left behind, they will lead you out of the forest to the Log Line.
By the way, if there is not conflict or implied conflict, you don't have a story. You have a "description." Good luck with that.
You will not win a job over another talent by out-performing them. There is always somebody better.
You can, however out-think the competition, and that's a major benefit in coming up with and knowing the Log Line. This knowledge comes to me from my personal performance and teaching history.
EXAMPLE OF IMPLIED CONFLICT
Sometimes, it's an implied conflict. For example, take this one-line passage:
What the conflict? In this case, it is an implied conflict. The passage implies that other windows are not made to last. After you have determined the conflict or implied conflict, you may now approach the Log Line.
Again, the Log Line usually includes the conflict. Then, add the specifics to the story in as few words as possible.
MAKE IT A HABIT
It's not easy to get into the habit of beginning with a Log Line. It wasn't easy for me to start with it, or come up with them.
Let me leave you with another example. Let's take something we all might know about. Take Shakespeare's Othello.
To get to the whole play's log line, we start with the problem or conflict. Othello thinks his bride is cheating on him (he is duped by Iago). So his jealousy messes him up. From there I can now formulate the log line, which is something like, "Jealousy Destroys Famous Guy."
It's that simple. You don't need to be clever, just brief. Then, if you've got it right, all your choices feed the main story.
That goes for audiobooks, excerpts, commercials, everything.
Sure, there are ancillary and important aspects to your performance like comedy, character and genre, but your primary job in all mediums, and why they need performers, is to tell the story.
TRY THIS EXERCISE ...
A Log Line is brief sentence that encompasses the whole spot, chapter, story of a piece. It must always include the conflict or implied conflict, as conflict is the center to all stories. It keeps the performer focused on telling or participating in the whole story.
Here's an exercise that addresses how to come up with the Log Line.
Objective: To become familiar coming up with a Log Line.
Duration: About 10 minutes
Materials: Your partner if you have one.
Example Projects: Othello, Hamlet, Great Gatsby
Examples of Log Lines:
Patrick Fraley is a foremost voice over industry voice talent, trainer, director and producer. As a voice actor he has created the voices for more than 4,000 characters, placing him among the top 10 performers of all time to be cast in animated programs - including the voice of Krang, Casey Jones, Baxter Stockman and numerous other characters in the 1987 Teenage Mutant Ninja Turtles animated television series, and the voice of Falcon in the 2003 Stuart Little animated television series. As a trainer, he is a prolific author of books and creator of CDs on the art of voice over performance and business. And scores of home study courses are offered at his website on voice over performance, audiobook narration, narration, character development, acting, demos, video game performance and more.
Complete Guide to Voice Over Exercises: https://patfraley.com/pf/product/complete
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